Hamasaki Mao(浜崎真緒)
Profile

| Height | 165cm |
|---|---|
| Measurements | B87 / W59 / H86 (E cup) |
| Birthday | 1993-10-20 |
| Hobbies | 音楽鑑賞 |
| Birthplace | 千葉県 |
About Hamasaki Mao
Hamasaki Mao is a JAV actress hailing from Chiba Prefecture, born on October 20, 1993. Standing at 165cm tall with measurements of B87(E)-W59-H86, she has established herself as a prominent figure in the industry. Based on her filmography, Hamasaki's career appears to have started around 2016, indicating a career length of approximately 8-10 years. Her work displays a strong inclination towards mature themes and a wide range of fetishes. Recurring keywords and genre tags in her film titles suggest that she is frequently featured in JAVs involving married women ("人妻", "主婦"), infidelity ("不倫"), and themes like NTR (Netorare/Netori). She also appears often in "best of" or compilation films, showcasing her performances in specific categories such as bukkake, creampie ("中出し"), and hardcore/kinky scenarios ("淫乱・ハード系"). A significant number of her works also involve lesbian themes and scenarios. Examining the studios and makers involved in her productions reveals collaborations with many well-known companies like MOODYZ, One's Factory, Kira☆Kira, GIGA, and KMP (Kei-MP Produce), and Celeb no Tomo. She has also appeared in several series, including GIGA's tokusatsu (special effects) series, "How to 学園" from Mousouzoku, and MOODYZ's "Bakobako Bus Tour" series, as well as several "Best of" series from various makers. The presence of VR titles, especially in recent years, indicates an adaptation to evolving industry trends and technology. In summary, Hamasaki Mao's career is marked by her versatility and willingness to engage in a variety of roles and themes. She has a strong association with mature-themed JAVs, often portraying sexually active married women and exploring diverse fetishes. Her consistent presence across various studios and involvement in multiple series highlights her popularity and established position within the JAV industry.
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