Kuroki Naho(黒木なほ)
Profile

| Height | 158cm |
|---|---|
| Measurements | B92 / W60 / H87 (F cup) |
| Birthday | 1985-06-06 |
| Blood Type | Type O |
| Hobbies | ショッピング、歌 |
| Birthplace | 東京都 |
About Kuroki Naho
Kuroki Naho is a Japanese JAV actress hailing from Tokyo, born on June 6, 1985. Standing at 158cm, she boasts impressive measurements of B92(F)-W60-H87. Based on available information, Kuroki Naho appears to have debuted in the JAV industry around 2006-2007, maintaining a presence for several years, with her latest listed work appearing in 2019. Throughout her career, Kuroki Naho has been primarily associated with the big-breasted (kyonyuu) genre, often appearing in productions that showcase her F-cup bust. Her filmography includes a significant number of compilation and "best of" releases, suggesting a consistent popularity and demand for her performances. She has also been featured in a variety of fetish-oriented productions, with a strong emphasis on bust-related fetishes, such as breast worship (nyuushiku) and tit jobs (paizuri). There are also indications of her involvement in series featuring the "digital mosaic" censorship style (dejimo), which was prevalent during certain periods of her activity. Her work is prominently featured across several well-known JAV studios, including Alice Japan, Moodyz, and S1 Number One Style, as well as Kira☆Kira, suggesting a wide appeal and collaboration with diverse production houses. She has also starred in multiple series, such as "Gyaku Soap Tengoku" (Reverse Soap Heaven) and "Onna Kyoushi Rape Rin●" (Female Teacher Rape Gangbang). Overall, Kuroki Naho is known for her big-breasted features and her involvement in a range of JAV productions, predominantly within the kyonyuu and fetish genres. She has worked with several major studios and featured in numerous compilation releases, solidifying her status as a recognizable figure in the Japanese adult video industry.
Similar Actresses
Results based on AI facial recognition analysis. This does not identify individuals.



















